A Lost Book of Thanksgiving Art
This year, we are doing artist studies in a way that highlights just one artist per school term... a new painting each week. In our home, it looks a lot like this. Anyway, to get my boys excited about art in general, I knew I had to introduce them to a very boyish, exciting artist first, before getting into things like Degas and the ballerinas. Enter N. C. Wyeth. He is an extremely prolific and wonderfully exciting artist for young boys (think pirates, cowboys and knights) and we had a lot of fun appreciating his work. The problem is that there exists very little literature that tells us about the artist himself in a child-friendly way, and no real compendium of his work in the picture book world. Or so I thought. I just discovered N.C. Wyeth's Pilgrims which is an out of print (but readily and economically available used) story of Thanksgiving from the perspective of his happy paintings and cheerful characters (Wyeth was a consummate American, even if this meant overlooking some of the darker realities of the Thanksgiving story). We actually have a number of Thanksgiving books and weren't necessarily looking for more-- but this popped onto my radar just last week-- and I had to buy it. Even if we have moved onto Rembrandt (to correlate with a visiting exhibit coming to the Seattle Art Museum soon), the boys were excited to peruse the book and see some more paintings by this artist, larger than the 4 x 6's I've been pinning on our board. The story itself by Robert San Souci is fairly typical. But the art is classic, and the notes about Wyeth in the end are great. I'm surprised to not see it mentioned more often either in conjunction with artist studies, or with Thanksgiving itself.
Butterfly Tree: Pick of the Week
Often when an author makes a children's picture book based on a memory he or she had, the result falls flat. It's hard to convey sometimes the significance and specialness of an event in a way that complete strangers (and young strangers to boot) will appreciate. In the picture book world, there are exceptions to this of course. Authors like Allen Say or Barbara Cooney for example, both excel at making lovely stories out of personal memories.
Sandra Markle's Butterfly Tree is a book in this vein. The text, though not rhyming, is written in stanzas and the fuzzy (oil paint?) illustrations give the book a somber tone and set a thoughtful pace. The story is about a girl witnessing a giant migration of monarch butterflies: it looks like it's raining black pepper from a clear blue sky. She is confused and frightened at first as she and her mother go to investigate in the woods. All her senses seem heightened as she goes through the trees noticing things until suddenly An explosion of golden-orange bits fills the sunlight streaming between the branches.
Sandra Markle's Butterfly Tree is a book in this vein. The text, though not rhyming, is written in stanzas and the fuzzy (oil paint?) illustrations give the book a somber tone and set a thoughtful pace. The story is about a girl witnessing a giant migration of monarch butterflies: it looks like it's raining black pepper from a clear blue sky. She is confused and frightened at first as she and her mother go to investigate in the woods. All her senses seem heightened as she goes through the trees noticing things until suddenly An explosion of golden-orange bits fills the sunlight streaming between the branches.
I especially appreciated the endnotes in this book as it fills in the gaps on a personal level with the author and shows an informative map illustrating the migration routes of Monarchs. The book would make an excellent fill in on a butterfly study or general winter preparation/migration/hibernation studies for animals.
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